2025 Bass Around Asia Concert

低音共鳴，跨越國界的音樂對話

Double Resonance — A Cross-Border Dialogue in Sound

低音提琴 × 鋼琴家 × 十首橫跨古典與當代的作品

一場來自俄羅斯、新加坡與臺灣的低音提琴盛會

經典與創新交織，聆聽低音最深的溫柔與力量

 

📣【音樂會預告｜低音共鳴 Double Resonance 2025】

一場橫跨國界與世代的低音提琴室內樂盛宴！

由來自俄羅斯、新加坡與臺灣的五位低音提琴演奏家攜手鋼琴家共同呈現，曲目橫跨經典與當代，從韋瓦第《四季》、普契尼《公主徹夜未眠》到當代創作者的委託新作，及台灣學生共演驚喜！

 

🎻 低音提琴 × 🎹 鋼琴

🎼 音樂無界，聲音共鳴

📍2025/08/08（fri.)19:30誠品表演廳（臺北市信義區菸廠路88號B2)

 

#Bassaroundasia #BAA

#DoubleResonance #低音共鳴 #BassConcert #ChamberMusic #低音提琴 #音樂會推薦 #ClassicalAndContemporary

 

節目簡介

《Double Resonance｜低音共鳴 2025》由五位來自俄羅斯、新加坡與臺灣的低音提琴演奏家共同策劃演出，演出陣容為：

Artem Chirkov（俄羅斯／聖彼得堡）

李勇銳（新加坡）

宋俊杰（新加坡／作曲家）

徐雅君（臺灣）

廖慧苡（臺灣）

 

特別邀請

Mavzhida Gimaletdinova（俄羅斯／鋼琴家）

楊婷婷（臺灣／鋼琴家・作曲家）

 

此音樂會以「共鳴」為題，象徵音樂家之間的文化交流與情感連結，也代表低音提琴與鋼琴之間深沉而豐富的聲音互動。

曲目橫跨巴洛克、浪漫、20世紀與當代創作，從韋瓦第、普契尼、聖桑，到黃俊達、宋俊杰、林奕辰、楊婷婷等當代作品，展現豐富多元的音樂語言與創作視野。

 

演出同時也邀請數位臺灣優秀低音提琴學子共演，傳遞世代交融的音樂能量。

Double Resonance is a celebration of connection — through deep resonance, diverse cultures, and bold creativity.

 

曲目：Program

1. A. Vivaldi – The Seasons (Excerpts)

韋瓦第：《四季》選粹

2. G. Puccini – Nessun Dorma from Turandot

普契尼：〈公主徹夜未眠〉，選自《杜蘭朵公主》

3. G. Bottesini – Passiona amorosa

波特西尼：〈熱烈的愛〉

4. C. Saint-Saëns – The Carnival of the Animals (Excerpts)

聖桑：《動物狂歡節》選段

5. 黃俊達 – 台灣民謠組曲

6. 林奕辰 – 吹向平原的風（世界首演）

7. 宋俊杰 – DropStrike（世界首演）

8. 楊婷婷 – 巷口駐（世界首演）

9. Andreas Martin – Chimera

安卓馬丁：〈奇美拉〉

10. Simon Garcia – Medulio Mountain

西蒙・葛夏：〈美都里歐山〉

Bass Around Asia

Bass Around Asia 是一個由五位來自台灣與新加坡的低音提琴演奏家所組成的重奏團體，於 2019 年在台灣成立，並舉辦首場音樂會。成員因對低音提琴的熱愛而相識，從一次深刻的音樂交流中萌生組團的念頭，期望透過合奏分享這項樂器獨有的深沉美感與音樂性，開啟一段跨越國界、文化融合的音樂旅程。

低音提琴常被視為背景般的存在，為樂曲打下堅實基礎，卻鮮少站上舞台中央。但在 Bass Around Asia的演奏中，低音提琴不只是土壤，更能開出屬於自己的花朵。五位音樂家致力於讓低音提琴展現其細膩、溫暖與豐富的音色，重新賦予這項樂器更多可能性。

疫情期間，團員持續透過線上合作完成作品並分享於網路平台，獲得眾多國際低音提琴大師的肯定。2024 年，團體以台灣為基地，再度集結亞洲優秀青年低音提琴手，並特邀維也納廣播交響樂團低音提琴家Artem Chirkov 共同演出，以低音提琴呢喃吟唱，訴說融合古典音樂與亞洲文化的動人篇章。

在音樂創作合作方面， Bass Around Asia 積極與當代作曲家合作，演出並委託創作多首原創作品。合作作曲家包括黃俊達、林奕辰、楊婷婷、宋俊傑等人，展現低音提琴與現代音樂語彙的多元融合與無限可能。為延續這份對低音提琴的熱情與國際交流的精神，Bass Around Asia 於 2025 年成立專屬青少年重奏團——Bass Around Asia Youth Ensemble，致力於培育亞洲年輕一代的低音提琴演奏者，將音樂與文化的種子持續向下扎根、向外延伸。

 

Bass Around Asia is a double bass ensemble formed by five musicians from Taiwan and Singapore, founded in 2019 with their debut concert held in Taiwan. United by a shared love for the double bass, the ensemble was born out of a meaningful musical encounter and a desire to explore the instrument’s expressive beauty through chamber music, crossing borders and blending cultures.

Often perceived as the quiet foundation of the orchestra, the double bass is like fertile soil—supporting others but rarely in the spotlight. Bass Around Asia seeks to change this perception, revealing the instrument’s depth, warmth, and soloistic potential through dynamic and thoughtful performances.

During the pandemic, the ensemble continued to collaborate virtually and share their work online, gaining recognition from prominent international bass artists. In 2024, based once again in Taiwan, they brought together talented young bassists from across Asia and collaborated with Artem Chirkov of the Vienna Radio Symphony Orchestra to present a performance that merged classical tradition with Asian cultural elements—told through thewhispering voice of the double bass.

In addition to performance, Bass Around Asia actively collaborates with contemporary composers to premiere and commission new works. Collaborating composers include Chun-Ta Huang, Yi-Chen Lin, Ting-Ting Yang, and Chun-Chieh Sung, showcasing the double bass in a fresh and diverse musical language.

To continue nurturing young talent and fostering international connection, Bass Around Asia established the Bass Around Asia Youth Ensemble in 2025—a youth bass ensemble dedicated to cultivating the next generation of double bassists in Asia, planting seeds of music and culture for the future.

 

低音提琴演奏家 virtuoso double bassist／Artem Chirkov 阿爾特姆·切爾科夫

Artem Chirkov 是一位國際比賽獲獎者，擔任低音提琴首席， 來自聖彼得堡。他自 16 歲起於天才兒童學校開始學習低音提琴， 之後進入聖彼得堡國立音樂學院深造，並於德國慕尼黑音樂與戲 劇大學（Hochschule für Musik und Theater）完成研究所學業。

他曾獲得多項比賽殊榮，最近一次是在美國德州丹頓舉辦的 首屆 Bradetich Foundation 國際低音提琴獨奏大賽中榮獲第一 名。2004 年，他成為聖彼得堡愛樂管弦樂團史上最年輕的低音提 琴首席。

Artem Chirkov 曾在世界各地的音樂學院與大學開設大師班，並與愛樂樂團及室內樂團隊巡迴演出，其中包括知名低音提琴合 奏團 Bassiona Amorosa。

 

Artem Chirkov is a prominent Russian double bassist, graduate of the Rimsky-Korsakov St. Petersburg State Conservatory and the University of Music and Performing Arts Munich. Since 2022, he has been the principal double bassist of the musicAeterna orchestra, where he continues to shape its distinctive sound.

A laureate of prestigious international competitions—including the ISB Competition (USA), J.M. Sperger Competition (Germany), and Bradetich Foundation International Competition (USA, 2010)—he has also received the ECHO Klassik Award and the Pro Europa Prize as a member of the ensemble Bassiona Amorosa. Since 2022, Chirkov has been based in Vienna, where he collaborates with leading orchestras such as the Vienna Philharmonic, the Vienna State Opera, the ORF Vienna Radio Symphony Orchestra and the Tonkünstler Orchestra. He has performed at major venues and festivals worldwide and is the founder of the international festival The World of Double Bass. Chirkov is also actively engaged in music education and outreach across the globe.

 

低音提琴演奏家 virtuoso double bassist／Julian Lee 李勇銳

新加坡低音提琴家李勇銳擁有豐富的職業樂團演奏經驗，曾擔任杭州愛樂樂團副首席（2017–2020）及貴陽交響樂團首席（2015–2017）。除了樂團工作，他也是屢獲殊榮的低音提琴獨奏家，曾於多項國際比賽中獲得第一名，包括：新加坡國際低音提琴音樂節（2019） 、Charleston 古典音樂比賽（2020） 、冬季國際音樂比賽（2020） ，以及世界古典音樂獎金獎（2022）。 2023 年與 Kids' Philharmonic 擔任協奏獨奏，2024 年則憑藉贏得比賽與 Braddell HeightsSymphony Orchestra 協奏演出。

李勇銳榮獲陳嘉庚研究所獎學金及吳順泰百年紀念獎（2013），並於奧地利格拉茨音樂與表演藝術大學（KUG）以優異成績取得碩士學位（2015），師事 Ernst Weissensteiner。求學期間，曾擔任 Rotary Club獨奏演出嘉賓 ，並活躍於 KUG 低音提琴四重奏， 亦於 Graz Radio Station 演出。 他同時向 Dan Roberts 學習巴洛克低音提琴。

2019 年，李勇銳創立 Bass Around Asia（BAA），致力於推廣亞洲地區的低音提琴室內樂發展，並主辦年度音樂節「Let’s Bassssss Party」。自 2020 年回到新加坡以來，他活躍於國內樂壇，除經常與新加坡交響樂團合作外，亦為多個知名樂團之首席演奏，包括 ： Red Dot Baroque、 Resound Collective 、 Metropolitan Festival Orchestra、 Wayfarer Sinfonietta、新加坡歌劇院樂團、 The Philharmonic Orchestra、 New Opera Singapore，並擔任 Orchestra of the Music Makers的低音提琴導師。

他具高度音樂多樣性， 擅長西方古典、中樂、 爵士及音樂劇。 曾與新加坡華樂團合作演出，並於 《French Cinematic Favourites: Bolling and Beyond》（2024）中詮釋 Claude Bolling 與法國電影音樂精選，2025 年更參與音樂劇《歌劇魅影》新加坡場之演出。積極投入低音提琴教育推廣，李勇銳曾主辦新加坡國家青年交響樂團 「Bass Day」 大師班（2022、2023）、Kids’ Philharmonic Bass Ensemble 工作坊，並於 2025 年受邀前往曼谷 Rangsit 大學音樂學院與萬隆愛樂學院擔任大師班講師。除在多所學校擔任低音提琴教師外，他亦經營個人教學課程，教授低音提琴、大提琴與鋼琴。

 

Singaporean double bassist Julian Li brings a wealth of orchestral experience, having served as Associate Principal Bass of the Hangzhou Philharmonic Orchestra (2017–2020) and Principal Bass of the Guiyang Symphony Orchestra (2015–2017). As a soloist, Julian has won top prizes in the Singapore International Double Bass Festival (2019), Charleston Classical Music Competition (2020), Winter International Music Competition (2020), and the WorldClassical Music Award (2022). He has appeared as a soloist with the Kids' Philharmonic in 2023 and with the Braddell Heights Symphony Orchestra in 2024, having won the orchestra’s concerto competition.

A recipient of the Tan Kah Kee Postgraduate Scholarship and Goh Soon Tioe Centenary Award (2013), Julian earned his Master’s degree with Distinction in 2015 from the University of Music and Performing Arts Graz (KUG) under Ernst Weissensteiner. While in Graz, he performed with the KUG Bass Quartet, including live performances on Austrian radio, and studied baroque bass with Dan Roberts. In 2019, he co-founded Bass Around Asia (BAA) — an initiative to promote bass chamber music through festivals such as “Let’s Bassssss Party.”

Since returning to Singapore in 2020, Julian has been a major contributor to the classical music scene, regularly performing with the Singapore Symphony Orchestra and serving as Principal Bassist for ensembles including Red Dot Baroque, Resound Collective, Metropolitan Festival Orchestra, Wayfarer Sinfonietta, Singapore Lyric Opera Orchestra, The Philharmonic Orchestra, and New Opera Singapore. He also mentors young bassists at the Orchestra of the Music Makers.

A highly versatile performer, Julian’s work spans classical, Chinese traditional music, jazz, and musical theatre. He recently performed Claude Bolling's works in French Cinematic Favourites: Bolling and Beyond (2024), and was the double bassist for the Singapore leg of Phantom of the Opera (2025).

Julian is a dedicated bass educator, having led masterclasses for the Singapore National Youth Orchestra Bass Day (2022–2023) and the Kids’ Philharmonic Bass Ensemble Workshop. Internationally, he has been invited to give masterclasses at Rangsit University (Bangkok) and the Bandung Philharmonic Academy (2025). In addition to institutional teaching, he maintains a private studio for double bass, cello, and piano.

 

低音提琴演奏家 virtuoso double bassist／Nicole Hsu 徐雅君

徐雅君 ， 桃園縣人，自幼習樂，啟蒙於陳維哲老師，並先後師事蔡菲芳、 姜娜楓、 陳羿雯、 周春祥與饒大鷗教授；於爵士貝斯領域則師從山田洋平與林煒盛。畢業於國立臺灣藝術大學音樂系，2007 年取得國立臺北藝術大學管絃與擊樂研究所碩士學位。

她曾參與多場國際大師班，受教於法國巴黎歌劇院首席 Thierry Barbé、 巴 黎 管 弦 樂 團 首 席 Bernard Cazauran、聖彼得堡愛樂首席 Artem Chirkov 等多位國際名師，演奏經歷深厚。演出方面，曾於 2003 年協奏演出 Dittersdorf 與 Bottesini 協奏曲，並舉行個人

音樂會。亦曾獲行天宮菁英獎、建華愛樂古典精英獎入圍，並入選亞洲青年管弦樂團。現為台北市立國樂團倍革胡團員，曾任長榮交響樂團低音提琴團員，亦長期擔任國家交響樂團、台北市立交響樂團及國立臺灣交響樂團等協演人員。教學方面，現任教於光仁高中、中平國中、大成國中音樂班等校，持續致力於培育新一代音樂人才。

 

Nicole Hsu , a native of Taoyuan County, Taiwan, has been immersed in music since childhood. Her earliest training was with Chen Weizhe, after which she continued her studies with Tsai Fei-Fang, Chiang Na-Feng, Chen Yi-Wen, Chou Chun-Hsiang and Professor Rao Da-Ou; she further refined her jazz-bass skills under Yohei Yamada and Lin Wei-Sheng. Nicole earned her Bachelor of Music from the National Taiwan University of Arts and, in 2007, completed a Master’s degree at the Graduate Institute of Orchestral Instruments and Percussion, National Taipei University of the Arts.

Committed to artistic growth, she has taken part in numerous international masterclasses, studying with such luminaries as Thierry Barbé (principal, Opéra National de Paris), Bernard Cazauran (former principal, Orchestre de Paris) and Artem Chirkov (principal, St Petersburg Philharmonic). Onstage, Nicole’s versatility is evident: in 2003 she appeared as concerto soloist in works by Dittersdorf and Bottesini and has since presented her own solo recital. Her talent has been recognized with nominations for the Hsing Tian Temple Elite Award and the Chien-Hua Philharmonic Classical Elite Award, and she was selected to perform with the prestigious Asian Youth Orchestra.

Nicole is currently a member of the Bass Gehu section of the Taipei Chinese Orchestra and was previously a double- bass player with the Evergreen Symphony Orchestra. She is a frequent guest artist with the National Symphony Orchestra, the Taipei Symphony Orchestra and the National Taiwan Symphony Orchestra. Equally dedicated to education, she teaches at Kuang-Jen High School, Zhong-Ping Junior High School and Da-Cheng Junior High School, guiding the next generation of young musicians with the same passion that has shaped her own career.

 

低音提琴演奏家 virtuoso double bassist｜永悅藝術總監 、Bass Around Asia 總監／Mandy Liao 廖慧苡

廖慧苡，新北市人，先後畢業於厚德國小、碧華國中及國立三重高中音樂班，原主修大提琴，國二轉為低音提琴，師從王美慧老師。大學就讀於實踐大學音樂系，師從周春祥教授。學生時期即擔任各級學校樂團首席，並積極參與校內外演出。

演出經歷豐富，曾參與國家表演藝術中心、永悅藝術工作坊、灣聲樂團、新竹青年國樂團、Praxis Wind Players、台北世紀交響樂團、普羅藝術家樂團、逢源愛樂、台北愛樂青年管弦與管樂團、台灣管樂團、樂濤交響管樂團等多個樂團演出，並活躍於音契合唱管弦樂團、宙斯愛樂、亞堤斯特大眾管弦樂團、陳勇成音樂工作室等音樂平台。曾任灣聲樂團創團經理、音樂時代劇場行銷公關經理、客委會「六堆三百庄頭劇場」總行政總監、普羅藝術家樂團指揮秘書、賣夢教育基金會副執行長等職，策畫並執行多場音樂會與藝文活動。

合作過的國際大師包括：維也納愛樂首席 Rainer Küchl、聖彼得堡愛樂首席 Lev Klychkov、低音提琴首席 Artem Chirkov 、 日本上低音號演奏家 Shoichiro Hokazono 、美國辛辛那提音樂院指揮 Rodney Winther、印第安納大學教授 Demondrae Thurman 等。

現任永悅藝術總監 、 Bass Around Asia 總監 、台北青年管樂團團員、新竹愛樂青少年管弦樂團特約低音提琴老師，並於新生國小、中港國小、秀朗國小、龍山國小、興隆國小、二重國中、康橋國際學校、永悅藝術中心等校任教。積極推動音樂藝術與教育，致力於偏鄉音樂推廣、鋼琴伴奏教學，並創辦「永悅藝術製作」，長期策劃並參與各類型音樂活動與演出。

 

Mandy Liao, born and raised in New Taipei City, began her musical journey at Houde Elementary School, continued through New Taipei Municipal Bi-hua Junior High School, and graduated from the music program of New Taipei Municipal San-Chong Senior High School. Originally a cello major, she switched to double bass in her second year of junior high, studying with University, where she studied under WANG,MEI-HUI. She later earned her degree from the Department of Music at Shih Chien ZHOU,CHUN-XIANG.

During her student years, Mandy served as principal bassist in school ensembles and was an active performer both on and off campus. Her stage experience spans a wide range of groups, including National Performing Arts Center, YYArt
, One Song Orchestra, Hsinchu City Youth Chinese Orchestra, Praxis Wind Players, Taipei Century Symphony Orchestra, ProArte Orchestra of Taiwan, Youth Orchestra and Wind Ensemble, Taiwan Wind Ensemble, and collaborates with YINQI SYMPHONY ORCHESTRA, YUNG CHENG Music Studio. Feng Yuan Philharmonic String Chamber Orchestra, Taipei Philharmonic Letuo Symphonic Band. She also frequently Zeus Music, Aethelred Symphony Orchestra, and CHEN

Beyond performance, Mandy has held key administrative and production roles: Founding Manager of One Song Orchestra, PR & Marketing Manager of All Music Theatre, Executive Director of the Hakka Affairs Council「六堆三 百庄頭劇場」 project, Conductor’s Secretary at ProArte Orchestra, and Deputy Executive Director of 賣夢 Educational Foundation. She has organized and executed numerous concerts and arts events.

Mandy has collaborated with internationally renowned artists such as Rainer Küchl, Lev Klychkov, Artem Chirkov, Shoichiro Hokazono, Rodney Winther, and Demondrae Thurman.

At present she is Artistic Director of YYArt, Director of Bass Around Asia, a member of Taipei Wind Orchestra, and guest double-bass instructor for Hsinchu Philharmonic Youth Orchestra. She teaches at Shin Sheng Elementary School, Zhonggang Elementary School, XiuLang Elementary School, Hsinchu Longshan Elementary School, XinglongElementary School., Er Chong Junior High School, Kang Chiao International School, and the YYArt center. Committed to arts education, she promotes music in rural areas, offers piano-accompaniment coaching, and, through her company YYArt producer, continually curates and participates in a wide variety of musical projects.

 

低音提琴演奏家 virtuoso double bassist／Edmund Song宋俊杰

宋俊傑在多元文化環境中成長，新加坡裔美國作曲家宋俊傑將傳統亞洲藝術和西方音樂無縫融合到日常生活中，塑造了他獨特的音樂創作能力，使其作品能夠同時引起兩種文化的共鳴。宋俊傑的多元文化方法使他走遍全球，與 Hub New Music、PRISM Quartet 與 Standing Wave Ensemble 等樂團合作。他在2023 年阿爾巴音樂節上獲得萊斯利·巴塞特研究生獎 ， 憑藉其弦樂四重奏在馬耳他國際作曲比賽中獲得第三名，並因其電影配樂《聰明狗》而受到芝加哥市民樂團的認可。在多個電影項目中，他因 《銀河》（新加坡，2023 年） 獲得最佳原創音樂提名，並於 2024 年 1 月在美國導演協會首映了他的首部心理驚悚片《When Offered Wind》。

除了作曲外，他還是一名自由職業的低音提琴手，足跡遍佈世界各地，其作品涵蓋了諸如（新加坡交響樂團、杭州愛樂） 、音樂劇（《悲慘世界》2016， 《歌劇魅影》2019）和歷史表演實踐（紅點巴洛克、布盧明頓巴赫項目） 等多個領域。 2024 年， 他將與阿爾特姆·奇爾科夫合作，在臺灣國家音樂廳與“Bass AroundAsia”項目演出他委約創作的作品。宋俊傑是灣聲樂團的編曲家之一，曾擔任亞洲文化交響樂團（新加坡）的駐團作曲家，並在 JacobsComposition Academy（美國）任教。除此之外，宋俊傑還作為錄音藝術家和音頻工程師自由職業。

 

US-based Singaporean composer Edmund Song is acclaimed for blending Eastern Traditional music with the 'idioms of Hollywood film music and Broadway musicals' (The Straits Times, 2023). Raised in a multicultural environment, he seamlessly integrated Traditional Asian Arts and Western Music into his daily life, shaping his unique ability to create music that resonates with both cultures. Edmund's multicultural approach has taken him around the world, collaborating with ensembles such as Hub New Music, PRISM Quartet, and Standing Wave Ensemble. He received the Leslie Bassett Graduate Award at the Alba Music Festival 2023, placed third in the Malta International Composition Competition 2023 for his String Quartet, and gained recognition from the Civic Orchestra of Chicago for his film score "The Smart Dog.” Involved in multiple film projects, He was nominated for Best Original Music for "Silver River" (Singapore, 2023) and premiered his first psychological thriller,"When Offered Wind," (January 2024) at the Directors Guild of America.

Beyond composition, he is a double bassist who freelances around the world and his portfolio includes Orchestras like (Singapore Symphony Orchestra, Hangzhou Philharmonic), Musicals (Les Misérable 2016, The Phantom of the Opera 2019) and Historically Informed Practice (Red Dot Baroque, Bloomington Bach Project). In 2024, he will be collaborating with Artem Chirkov with the Bass Around Asia performing his commissioned piece at Taiwan National Concert Hall.

Edmund is an arranger for One Song Orchestra (Taiwan), served as Composer-in-Residence with the Asian Cultural Symphony Orchestra (Singapore) and as faculty with Jacobs Composition Academy (USA). On the side, Edmund freelancesas a recording artist and audio engineer

 

鋼琴演奏家 virtuoso pianist／馬婕妲．吉瑪蕾迪諾娃｜Mavzhida Gimaletdinova

版本 1

馬婕妲．吉瑪蕾迪諾娃是一位傑出的鋼琴家，現任聖彼得堡國立音樂學院副教授。 她畢業於該院附設享譽盛名的中等專業音樂學校 ， 之後在聖彼得堡國立音樂學院繼續接受正規訓練，師從俄羅斯人民藝術家 E.A.Murina 教授。

她的研究所教育體現了對獨奏與合作演奏的深厚投入。她在聖彼得堡完成了 I.V. Vasilyeva 教授指導下的伴奏進修，隨後前往德國慕尼黑音樂與戲劇大學，師從 F.Massinger 教授研習鋼琴，並在 H. Deutsch 教授指導下進修藝術歌曲詮釋（Liedgestaltung）。

馬婕妲．吉瑪蕾迪諾娃曾兩度榮獲聖彼得堡市政府頒發的「教學新秀獎」（Pedagogical Hopes） ，並在M. Yudina 命名的國際比賽中獲得第二名（2nd Prize）。她也經常於各大國際比賽中獲頒「最佳伴奏獎」 ，顯示出她作為敏銳且成熟的合作演奏者的高度聲譽。

她的教學與藝術實踐融合了俄羅斯與歐洲音樂傳統，致力於鋼琴獨奏與伴奏藝術的卓越培養。

版本 2

馬婕妲．吉瑪蕾迪諾娃畢業於以 N.A. Rimsky-Korsakov 命名的聖彼得堡國立音樂學院附設中等專業音樂學校。她先後在俄羅斯與德國接受高等音樂教育──在聖彼得堡國立音樂學院（師承俄羅斯人民藝術家E.A. Murina）的鋼琴主修完成學業，並於 I.V. Vasilyeva 教授門下完成伴奏研究所課程；隨後前往德國慕尼黑音樂與戲劇大學，隨 F. Massinger 教授研習鋼琴，並在 H. Deutsch 教授指導下進修藝術歌曲詮釋

（Liedgestaltung）。

目前，馬婕妲．吉瑪蕾迪諾娃任聖彼得堡國立音樂學院伴奏系副教授。她曾兩度獲得聖彼得堡市政府「Pedagogical Hopes」獎項，並於以 M. Yudina 命名的國際比賽榮獲第二名，同時在多項國際賽事中屢獲「最佳伴奏」殊榮，廣受專業肯定。

 

Version 1

Mavzhida Gimaletdinova is a distinguished pianist and associate professor at the St. Petersburg State Conservatory named after N.A. Rimsky-Korsakov. A graduate of the Conservatory’s renowned Secondary Specialized Music School, she continued her formal training at the St. Petersburg State Conservatory under the mentorship of People's Artist of Russia, Professor E.A. Murina.

Her postgraduate education reflects a deep commitment to both solo and collaborative performance. She completed advanced studies in accompaniment with Professor I.V. Vasilyeva in St. Petersburg, followed by postgraduate work in piano with Professor F. Massinger and Lied interpretation (Liedgestaltung) with Professor H. Deutsch at the University of Music and Theatre in Munich, Germany. Mavzhida Gimaletdinova is a two-time recipient of the St. Petersburg Government Prize "Pedagogical Hopes" and a laureate of the International Competition named after M. Yudina (2nd Prize). She is regularly honored as Best Accompanist at numerous international competitions, underscoring her reputation as a sensitive and accomplished collaborator.

Her teaching and artistic practice bridge Russian and European traditions, with a focus on cultivating excellence in both piano performance and the art of accompaniment.

Version 1

Mavzhida Gimaletdinova is a graduate of the Secondary Specialized Music School of the St. Petersburg Conservatory named after N.A. Rimsky-Korsakov. She received her higher education in both Russia and Germany. She graduated from the St. Petersburg State Conservatory (class of People's Artist of Russia E.A. Murina) and completed postgraduate studies in accompaniment under Professor I.V. Vasilyeva. She continued her postgraduate education in Germany, studying piano with Professor F. Massinger and Liedgestaltung with Professor H. Deutsch at the University of Music and Theatre in Munich.

Currently, Mavzhida Gimaletdinova serves as an Associate Professor in the Accompaniment Department at the St. Petersburg Conservatory. She is a two-time recipient of the St. Petersburg Government Prize “Pedagogical Hopes” and the 2nd Prize winner of the International Competition named after M. Yudina. She has also been repeatedly recognized as the best accompanist at various international competitions.

 

鋼琴演奏家virtuoso pianist／Ting Ting Yang 楊婷婷

楊婷婷來自台北，自 6 歲起學習鋼琴，小學時加入打擊樂團，並於 13 歲開始學習作曲。她在新加坡、台灣及美國等地發表多部作品，並持續在鋼琴合作與作曲兩大領域發展。近期作品包括受新加坡亞洲文化樂團（ACSO）委託之《Approaching》（2022）及《Stand atthe Corner》（2021） ，亦嘗試跨國遠距合作，發表《遊韻》（2021）。她的管弦樂作品 《Portal》曾獲美國北卡羅來納州新音樂倡議作曲大賽首獎，並赴美首演。

除作曲外 ，楊婷婷在鋼琴合作領域亦具豐富經歷 ， 曾參與 《Kassandra》歌劇錄製、 擔任 Musiqa Houston音樂會鋼琴家、 泰國國際長號藝術節合作鋼琴家、 Bowdoin 國際音樂節、 Jacobs Summer String Academy 等，演出遍及台灣、新加坡、美國與泰國。

她現就讀美國印第安納大學，主修鋼琴合作博士班，獲全額獎學金並擔任助教。作曲曾師事蕭慶瑜、Peter Edwards、何志光；鋼琴師承張境嵐、黃如杏Jongah Yoon 等，現師事 Anne Epperson 教授。

 

A native of Taipei, Tingting Yang began her piano studies at the age of six and percussion ensemble training in elementary school. At 13, she developed an interest in composition, which she has pursued ever since. With a compositional voice shaped across Singapore, Taiwan, and the U.S., Yang has premiered several works, including “Approaching” (2022) and “Stand at the Corner” (2021), commissioned by the Asian Cultural Symphony Orchestra in Singapore. During the pandemic, she explored international collaboration, resulting in the online release of “Wandering Resonance” (2021) for pipa and viola. Her orchestral work “Portal” won the North Carolina Newmusic Initiative Orchestra Composition Competition, leading to its U.S. premiere and an invited lecture.

In addition to composition, Yang is an accomplished collaborative pianist. Her experience includes recording for Anthony Brandt’s opera Kassandra, accompanying for Musiqa Houston, serving as official pianist for the Thailand Trombone Festival (2024), and receiving full fellowships for Bowdoin Music Festival (2023–2024) and Jacobs Summer String Academy (2025).

Yang is currently a doctoral student in collaborative piano at Indiana University, where she studies under Anne Epperson with a full scholarship and assistantship. Her composition mentors include Ching-Yu Hsiao, Peter Edwards, and Prof. Chi-Kuang Ho, and her piano teachers include Jongah Yoon, Virginia Weckstrom, and others.7.

 

作曲 Composer／黃俊達 Chun-Da Huang

作曲家、鋼琴與鍵盤演奏家。自2009年起，黃俊達的作品遍及全台演出，並與多個合唱團與樂團合作，持續發表原創音樂。他的作品亦受邀於新加坡、馬來西亞、泰國、日本、韓國及歐美等地演出。代表作《文學與音樂的對話》曾獲得2013年文化部藝術新秀，並多次獲得國藝會創作補助。

曾任康軒音樂課本編輯、臺北歌劇合唱團鋼琴排練，並與臺北愛樂管弦樂團、臺北愛樂青年管弦樂團合作擔任鋼琴與合成器演出。

近期作品包括：

●      2022.8-9《古靈精怪動物園》｜林世仁童詩音樂會（台北中山堂光復廳）

●      2023.10〈排灣隨想曲，給揚琴與革胡〉｜密西根大學演出

●      2023.10《家的味道》｜東吳校友合唱團委託創作

●      2023.10-12〈臺北印象IV——過去與未來〉｜臺灣揚琴發展協會委託創作

●      2023.11〈重生〉｜為高音笙與樂隊（臺灣國樂團委託）

●      2023.11〈好願在人間〉、〈如在〉、〈心靈環保全民宣言〉｜法鼓山委託合唱編曲

●      2024.3〈南華大學校歌〉｜委託創作發表

●      2024.4〈澎湖詩三首〉｜為低音提琴四重奏（永悅藝術委託創作）

●      2024.4《台灣追鄉曲》｜擔任作曲、編曲與鍵盤手（偶戲與聲樂演出）

 

English Bio｜Chun-Da Huang

Composer, pianist, and keyboardist Chun-Ta Huang has had his works widely performed across Taiwan since 2009 and has collaborated with numerous choirs and orchestras. His music has also been presented internationally in Singapore, Malaysia, Thailand, Japan, Korea, Europe, and North America. His signature work Dialogue Between Literature and Music received the 2013 Ministry of Culture Young Artist Award and has garnered multiple grants from the National Culture and Arts Foundation (NCAF).

Huang has served as a music editor for Kang Hsuan educational publications, rehearsal pianist for the Taipei Opera Chorus, and keyboardist for the Taipei Philharmonic Orchestra and the Taipei Philharmonic Youth Orchestra.

Recent notable works include:

●      Fantastic Animal Zoo (2022) – A musical storytelling concert based on Lin Shi-Ren’s children’s poetry (Zhongshan Hall, Taipei)

●      Paiwan Rhapsody for Yangqin and Gehu (2023) – Performed at the University of Michigan

●      The Taste of Home (2023) – Commissioned by the Soochow Alumni Choir

●      Impressions of Taipei IV: Past and Future (2023) – Commissioned by the Taiwan Yangqin Association

●      Rebirth (2023) – For Sheng and orchestra, commissioned by the Taiwan Chinese Orchestra

●      Good Wishes in the World, As If, Environmental Mindfulness Anthem (2023) – Choral arrangements commissioned by Dharma Drum Mountain

●      Nanhua University School Song (2024) – Commissioned composition

●      Three Poems of Penghu (2024) – For double bass quartet, commissioned by Yung Yueh Arts

●      Songs of Longing for Taiwan (2024) – A multimedia work for puppetry, voice, and keyboard (composer, arranger, performer)

 

作曲 Composer／林奕承 Lin Yi-Cheng｜Ivon Lin

林奕承，畢業於東吳大學音樂系，主修理論作曲、副修 鋼 琴 。 2016 年 考 取 美 國 伯 克 利 音 樂 學 院 （ Berklee College of Music ） ， 2017 年 進 入 國 立 臺 北 藝 術 大 學IMPACT 跨藝合創音樂學士學程，現為職業編曲、 配樂家與鍵盤手。

合作藝人包括光良、 梁靜茹、 滅火器、 丁噹、 法蘭黛、朱俐靜、曹雅雯、方炯鑌、阿沁、柯有倫、雷擎、王彙筑等。

他長年參與各類音樂創作與製作，包括音樂劇、影視配樂、流行專輯、品牌影音、公共藝術與大型活動。代表作品包含：影視配樂：《你好，幸福》、《大約在冬季》、《布農神話》、《惡女》等音樂劇與音樂會：《水上說書人》、 《讓全世界都聽見》、 《十張椅子》、 《行影玖時》、 《阿銘上菜》等活動與品牌專案：總統府音樂會、COMPUTEX 2024／NVIDIA、台灣文化祭 Taiwan Plus、全國運動會開幕典禮、春市咖啡、Magischool 廣告等音樂製作與編曲：光良《想你了》、梁靜茹《明天的禮物》、丁噹《最親的傷痕》、范宥弦《七日》、小野娜莎《敬。自己的不完美》、彭炘雯《孤獨的我》、葉柔《我體內的怪物》、王彙筑《高麗菜粥》等。

現活躍於音樂製作、影像配樂與跨界創作領域，擔任多項計畫之音樂總監與創作統籌，致力於連結聲音藝術與多元文化平台。

 

Ivon Lin is an arranger, composer, producer, and keyboardist. A graduate of Soochow University’s Department of Music, where he majored in theory and composition with a piano minor. In 2016 he was admitted to Berklee College of Music, and in 2017 he entered the Taipei National University of the Arts IMPACT. He now works full-time as an arranger, film scorer, and keyboardist.Over the years Ivon has collaborated with a wide spectrum of artists, including Michael Wong, Fish Leong, Fire EX, Della, Frandé, Gina Lee, Yawan Tsao, J-Bin, Ah Qin,Alan Ko, Leigh, and Olivia Wang His creative footprint spans musical theatre, screen scoring, pop albums, brand videos, public-art installations, and large-scale events. Representative projects include the screen scores for 《Hello, Happiness》 《Somewhere Winter》《Myth of the Bunun》 and 《The Villainess》 ; music for stage productions such as 《The Waterborne Storyteller》《Let the Whole World Hear》《Ten Chairs》《CineNine》 and 《A-Ming’s Kitchen》; and soundtracks for events and brand campaigns including Presidential Office Concert、COMPUTEX 2024／ NVIDIA、Taiwan Cultural Festival Taiwan Plus、The Opening Ceremony of the National Games、春市咖啡 and the Magischool commercial.As an arranger and producer he has shaped numerous pop releases, among them Michael Won《Thinking of You》, Fish Leong 《Tomorrow’s Gift》 , Della 《Closest Scar》 , Fan Ocean 《Seven Days》 , SAS 《Salute to My Imperfections》 , Peng Xin-Wen《Lonely Me》, Daria Yeh 《The Monster Inside Me》 and Hui Chu Wang 《Cabbage Porridge》.

Active today in music production, screen scoring, and cross-disciplinary creation—and frequently serving as music director and lead creative—Ivon Lin is dedicated to forging connections between sound art and multifaceted cultural platforms.

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